Pro Tools Audio Recording Software And The Creative Process

Jim here.

How many of you really know how to use Avid’s Pro Tools? I mean really know it. How many of you struggled for months to learn Pro Tools, or more likely, how many of you are still struggling to learn enough so that you can concentrate more on the creative part of the recording process and less on the complexity of the software? I’ll bet quite a few of you.

Well I’ve got a suggestion.

Sign up For Mike White’s 8 work course on Pro Tools. Each LIVE on-line lesson features practical examples that tech more than just the “how to”, but also the what, why, when, and where as well. The professional insights and depth Mike adds to this course will bring a whole new level of meaning even if you are an experienced user.

The total course includes 8 Live 2-hour classes with a bonus class and, at least, 40 Additional Lessons that offer depth and detail for each week’s specific topic. The Lessons Include:

  • Support Videos
  • Audio Programs
  • Articles
  • Downloadable Support Materials
  • Access to the Replay of all live classes
  • Ask questions directly through the live classes or online forums

So here’s the deal. If you want to create more music and spend less time reading manuals or sifting thru thousands of YouTube videos click on the link below. You’ll be glad you did!

Mike White’s 8 Week Pro Tools On-Line Workshop

What’s New Is Old And What’s Old Is New

Jim here.

Not a day goes by that someone doesn’t ask “Which recording interface should I buy? It’s a great question and it’s not something you should do without doing a little research. With that in mind I decided to re-post a short guide that I put together in December of last year on How To Choose A Recording Interface.

Enjoy!

To Be A Pro You Need To Learn From A Pro

Is This Where YOU Want To Be?

 

Then STOP Watching Amateur “How To” Videos!

STOP Reading Blogs Schilling For Online Retailers!

STOP Getting Advice From Your Local Big Box!

To Be A Pro You Need To Learn From A Pro

Our friend and mix mastering mentor Mike White from music-production-guide.com is offering a SIX WEEK MASTER MIXING WORKSHOP beginning January 8th. This is a great opportunity for you to learn what it takes to get your studio setup and jump start your recording and or singer/songwriter career.

This is not your ordinary “how I filled my bedroom full of cool gear” workshop. This is not a “how to sound like a pro” blog from someone trying to send you to Amazon. This not a “secrets only the pros know” from someone who’s been recording in his basement the last 5 years.

The “Live” Master Mixing Workshop Starts January 8, 2013

All classes begin at 8PM US Eastern Time

Week 1: Tuesday, Jan 8th

Week 2: Tuesday, Jan 15th

Week 3: Tuesday, Jan 22nd

Week 4: Tuesday, Jan 29th

Week 5: Tuesday, Feb 5th

Week 6: Tuesday, Jan 12th

Week 7: Tuesday, Jan 19th

Week 8: Tuesday, Jan 26th

CHECK OUT THE FREE INTRODUCTORY CLASS SNEEK PEEK HERE!

PROGRAM SCHEDULE

Week 1: The Structure of Mixing

This is the most essential part of the online mixing workshop because the other classes are based on the information provided here. It is absolutely necessary to teach you how to listen to music and what to listen for.

  • A Historical Perspective of Mixing
  • A Visual Approach to Audio
  • Listening Environment and Speaker Setup
  • Session Organization and the 3 Tiered Mixing System
  • Preparing to Mix

Week 2: The Mixing Process

This phase of the online mixing workshop starts the actual mixing process and goes step by step through the process of how to start your mix. There are many hidden secrets in this stage of the mixing process that build the foundation for everything else you do.

  • The Mix Process: Step by Step
  • Setting a Goal For Your Mix
  • Levels and Panning
  • Phase and Phase Relationship
  • Filters and Subtractive EQ

Week 3: Dynamics Processing Part 1

Dynamics processing is absolutely the most misunderstood and misused form of processing by novices and professionals alike. It is also the most powerful form of processing when used correctly. This week will explain, in extreme detail, the what, why, when and how of dynamics processing.

  • Types of Compressors and Expanders
  • The concept of Frequency Density
  • Parameters of the Compressor
  • How to Hear Compression
  • The Practical Application of Compression

Week 4: Dynamics Processing Part 2

This class will focus on the practical application of dynamics processing including the use of advances dynamic processing techniques. You will learn how to truly harness the power of compression and solidify the imaging and depth of your mix.

  • Advanced Compression Techniques
  • Using Vintage Compressors
  • Multiband Compressors
  • Unique Dynamics Processors
  • A Complete Compression Overview

Week 5: Effects Processing

This is an in-depth look at effects processing and how it should be applied in the mixing process. Each form of processor is discussed in detail and how it effects the 3D soundstage.

  • Early Reflections
  • Reverb and Echoes
  • Delay Effects
  • Modulation Effects
  • Processing Tips and Techniques

Week 6: Equalization

This is an in depth look at EQ and how it is best applied in a mix. Equalization is an incredibly powerful tool for shaping and refining your mix. It is also the most grossly overused tool. This discussion in the online mixing workshop will dispel the many myths surrounding EQ and it’s application in the mixing process.

  • Different Types of EQ
  • Understanding Filters and Q
  • Using Vintage Equalizers
  • Shaping Sound
  • Practical Application and Techniques

Week 7: Automation and Fine Tuning

This topic will discuss the importance of automation and the concept of focussing the listener’s attention. This is the stage where the song comes together ‘musically’ and is the critical stage for turning your ‘mix’ into a ‘record’.

  • The Layers of Automation
  • Pre Processing Automation
  • Automating Effects
  • Automation Techniques
  • Automating Fade-ins and Fade-outs

Week 8: Finishing Your Mix

This is the integration stage for all the other techniques that have been applied in the previous weeks. In this stage of the online mixing workshop, you will learn how to gel all of the individual processing techniques into a coherent mix. This will dramatically change your perspective of mixing and is where the 3 Tiered Mixing System comes into full effect.

  • 3 Tiered Mixing System Revisited
  • Mix Stem and Mix Buss Processing
  • Considerations for Mastering
  • Printing The Final Mix
  • Managing Updates and Archival

Click on the link below to start your career as a Master Mixing GURU & create a Free Membership.

LEARN MORE!

Last Minute Gift Ideas For Studio Geeks On Your List

Jim Here.

Are you looking for that one last gift? Need something to stuff a stocking with? Then check out our list of $100 or less home studio gift suggestions.

Last Minute Gift Ideas For The Holidays

Great Home Recording Studio Gift Ideas

But folks we’re getting down to the wire here. We ALWAYS ship FAST and ground shipping is FREE but your order might need express shipping this week. So you better hurry! When in doubt email or call and we’ll see what we can do to get your gear to you in time.

Oh one last thing. Don’t be afraid to ask for a deal if you see a better price somewhere else. I’d rather get you into the gear here than anyplace else!

How To Choose A Recording Interface For You (Or As A Gift)

Jim Here.

Yes it’s that time of the year again yikes! Seems like only yesterday we were hangin’ at the beach. But as if I need to remind you…only 14 shopping days left!

To help you relieve some of your angst, we have a special promotion going this week, FREE monitor cables with the purchase of any interface $149 and up. So get to work reading this post if you need to and then click on over to musicmachineshop and take advantage of this fantastic deal!

Free Monitor Cables With Audio Interface Purchase

So here we go….

Why Do You Need A Recording Interface Anyway?

It’s important to understand that a recording interface is not the same thing as a “mixer”. A recording interface performs the critical job of converting sound from analog sound sources into digital information that your computer and your recording software can understand and manipulate. Second, a recording interface can send multiple individual tracks to your computer which can be edited individually within your software at a later date. Your mixer on the other hand may or may not be able to convert analog signals to digital, and it may or may not be able to send more than a standard stereo mix out. There are mixers that can do both, but you need to know if yours is one of them.

Recording interfaces can be as simple as an XLR to USB converter for microphones, a PCI card within your computer, or as complex as a complete digital recording console. Interfaces perform other important functions within your home studio system too like providing hardware connection points, studio monitor and headphone outputs, and in some cases they offer built-in effects such as reverb, EQ, compression, and other functions. Prices vary from under $49 to many $1000′s.

What is the best recording interface for you?

Great question…and a hard one to answer! Interfaces come in all shapes and sizes and configurations. There are literally hundreds available to the home recordist. You can spend hours trying to find the right interface for your studio set up, days even. It can be very intimidating at first and very frustrating.

But not to worry! We’ve put together a very simple guide to help you choose which interface is right for you. We call it-

7 Questions You Need To Answer Before Buying A Recording Interface

1. How many Microphone Inputs Do I Need?

The type and number of mic inputs is usually the most critical decision for most home recordists. The key point here is to determine how many microphones you will be using at the same time during your recording sessions. Your answer will determine how many XLR type microphone inputs the interface will need. And for the record, if you’re serious about recording, you’ll eventually buy a condenser mic or two. So make sure your interface has 48v phantom power available to run them.

Next determine if you need line level instrument inputs (for guitar or bass). The good news is that almost all interfaces have one or two combination XLR/instrument inputs.  These allow you to connect either a mic or an instrument through the same interface. Additional balanced inputs are usually as well allowing for additional gear connections.

Finally, decide if you need MIDI in/out to connect a MIDI keyboard or controller. This may not be a concern for you since most modern MIDI keyboards and controllers can connect directly to your computer via USB. Which leads us to question #2.

2. What Hardware Connections Does My Computer Have?

USB and firewire are the most common types of computer connections between the interface and the computer. Both options provide excellent results. Generally firewire is faster and can handle more digital info than USB, but USB is becoming the standard for most home studios. The number of inputs and features built into the interface generally determines the connection type offered.

3. Am I Building A Home Studio, A Mobile Studio, Or Both?

Will the interface be used in a studio or on location? If it will be used in your home studio only, consider a rack mounted interface especially if it has more than 4 XLR type microphone inputs. If it will be used for mobile recording, besides the rack mount decision, consider whether you want XLR connections on the front of the interface or the back. Front connections may be more convenient.

4. Do I Need Recording Software Also?

Many interfaces come bundled with recording software. The included software is usually a “lite” version of the full-blown software package offered by recording software manufacturers. Buying an interface that includes software is a good way to get a “taste” of their software and a convenient way to get up and running quickly if you don’t already have it.

5. How Soon Will I Need More Inputs?

Are you going to need more mic inputs or specialized hardware in the near future? If so, consider an interface with ADAT or S/PDIF capability. This allows you to connect additional interfaces or pre-amps for more inputs.

6. Is My Computer Compatible?

Almost all interfaces are compatible with MAC or PC, and almost any recording software. There are a few exceptions however so check the specs before you buy. All of our interfaces are compatible with either computer platform. But remember that Pro Tools 8 and earlier users require an interface to be Pro Tools compatible.

7. How Much Do I Need To Spend?

More than anything else, the number of inputs and features of the interface determine the amount you will need to invest. Don’t sweat the supposed sonic differences too much between different brands in the under $500 price range. Most interfaces that retail for $500 or less will sound just great for the home studio. As you gain recording experience and a larger budget spend your money on higher quality mics first. Later you can move up to a higher quality interface and/or add some specialized pre-amps.

So There You Have it!

Our (very simple) guide to choosing a recording interface. I hope this helps answer some of the more common questions you have about this important part of the home studio signal chain. And if you’re ready to buy one soon be sure to check out our recording interfaces under $500 on musicmachineshop.com. And as always don’t be afraid to ask questions. We love to hear from you!

Two Words, 5 Days, And Jump Starting Your Music Career

Jim here.

Where do you want to be next year? In five years? Is your goal having a career in engineering or producing? Is your goal to make great sounding music at home? Is your goal to make demos of your band without spending a fortune?

Then I’ve got two words for you…..

Music Production Guide Open House

Mike White is offering FREE access to his 26 years of professional audio engineering and production knowledge at his online music production school.  This is an amazing opportunity for you to immerse yourself in the art of music production, engineering, and making the most out of your home recording studio. But hurry because access starts TODAY.

5 DAYS OF FREE ACCESS 12/3-12/7

That’s right your free membership gives you FIVE FULL DAYS of access. I guarantee you’ll learn more there in 5 days than you will in the next 5 months!

So get started today. And tell them Jim sent you!

REGISTER TODAY!!

How To Choose The Right Studio Kit For You (Or As A Gift)

Jim here.

I know what you’re thinking. How am I ever going to know which home studio kit is right for me? Or worse yet…how do I know which studio set up to buy as a gift for my kid/musician/significant other?

Hey I understand, I’ve been there, we all have. Choosing between all the gear/equipment options is confusing especially if you’re brand new to the game.

Home Recording Studio Booth Small

But I think we can help. I’ve put together this brief guide that lists the equipment you’ll need and how to pick the right gear for your particular situation. It’s organized by the basic components needed in most modern home studios today-

Your Computer

Audio Software

Recording Interfaces

Microphones

MIDI Keyboards

Monitors

Headphones

Accessories

Acoustic Treatment

But first things first. What will you do with your studio and where will you do it?

Are you planning on recording just yourself and maybe a few friends? Is it intended to handle a full band and all their gear? Is it intended for mobile performance recording or just for jotting down song ideas? Is it intended as a place to work on your hobby? Or is it the start of a serious engineering and/or producing career?

There many types of home recording studios but most fit into one of the following categories-

  • singer/songwriter/musician/voice over project studios
  • semi complete multi-instrument recording studios for bands and small ensembles
  • semi-professional engineer/producer business owner studios
  • game or soundtrack composition studios
  • DJ/Hip Hop/Electronica and performance set ups

Now let’s get to the fun part-the gear!

(read more)